Training films, from script to finished film.
Akademi builds your training films: a director breaks the material into scenes, every image is held to the brand's style anchor and scanned by the critic, every scene has to move, and the film is delivered with voice and with subtitles on or off.
A director on the script,
not a template.
The director breaks your material into scenes, visuals and audio for each, and keeps the brand's world through the whole script. You edit directly in the text, scene by scene, and the script is the foundation for everything that follows: stills, motion, voice.
Visuals
A new employee scans a pallet with the handheld terminal. A colleague points at the screen and nods.
Audio
VO: “Always scan the pallet before it moves. That way the system knows where the goods are.”
One style anchor.
Every scene holds it.
The brand's style is chosen once: palette, line, world. The anchor travels with every single image generation, so scene 14 looks like scene 1, and next month's film looks like this month's. The style lives on the brand, not in a single prompt.
- Scene 1holds the anchor
- Scene 7holds the anchor
- Scene 14holds the anchor
The anchor travels with every image generation. The style lives on the brand.
The critic sees every image,
before you do.
The critic scans every image for AI slop: five fingers on each hand, gravity that behaves, text that isn't gibberish. Images that fail are discarded and regenerated before they reach you. You only see what passed.
- Hands: five fingers on eachPassed
- Gravity: everything restsPassed
- Text in the image: gibberish foundDiscarded
Image discarded and regenerated before it reaches you
The motion guarantee:
never quietly half done.
The judge reviews every clip and scores motion, style, cast and scene credibility, and the best version is kept along the way, so an extra round can never make the film worse. If a scene lacks clear motion, the engine runs up to three extra rounds on that scene alone. And when a scene still doesn't get there, the film says so openly, with the scene number, instead of delivering stillness without a word.
- Scene 4Full motion
Motion, style, cast and scene credibility passed
- Scene 6Extra round 2 of 3
The best version is kept while it rebuilds
- Scene 7Said openly
“Scene 7 didn't reach full motion after 3 attempts and is shown with the best available version. Use Rebuild on that scene alone.”
Subtitles,
on or off.
Some films need to work without sound on a factory floor, others should stand clean at a big screen meeting. Subtitles are an on/off choice per film, set to a fixed standard for line length and reading speed, and you change the choice without rebuilding the film from scratch.
Always scan the pallet before it moves.A fixed standard for line length and reading speed. Change the choice without rebuilding the film from scratch.
Corrections reach the film.
Every time.
You mark what needs to change, directly on the scene. The engine shows its reading of the correction, you approve it, and the approved correction carries into the next build. A later build can't overwrite a correction you've approved, so the film you get is the film with your corrections in it.
“The handheld terminal should be our own model, not a generic scanner.”
The engine's reading
Replace the scanner in scene 3 with the brand's handheld terminal, keep the composition and the light.
- Reading approved by you
- In version 3 of the film
An approved correction can't be overwritten by a later build.
You pay for usage.
Akademi runs on the same usage metering as the rest of the platform. You sign up yourself, add a card, see what every build costs, and set your own cap.